Comparisons - Looking through
the alleged Looking-glass


Artificial synchronicity, language manipulation and the true nature of reality - Introduction

INDEX

CONTENTS OF THIS PAGE

* COMPARISONS - LOOKING THROUGH THE LOOKING-GLASS

* LOOKING THROUGH THE LOOKING-GLASS - PRACTICAL EXAMPLES

* Example #1 - Comparing Measurable Quantities - You in the Bottom with the Horse Movement

* Example #2 - Comparing Measurable Quantities - You on Top with Keywords

* Example #3 - Comparing Knowledge

* Example #4 - Comparing the so-called 'Beauty' - You Alone and a Kundalinic Shell Accompanied

* Example #5 - Comparing the so-called 'Beauty' - You versus a person of the Same Sex

* Example #6 - Comparing alleged positions in THEIR DREAMWORLD-TO-SELL

* REFLECTED THOUGHTS, "LOOKING-GLASS" AND SUBLIMINAL PREJUDICE


* COMPARISONS - LOOKING THROUGH THE LOOKING-GLASS

Sometimes, through the artificial manipulation of comparisons, THEY may force you feel that THEY are (or have) something YOU want to be (or have) but you are not (or don't have), and call it a looking-glass.

But what looking-glass ? Do you have an ego to be reflected in the mirror ? Ask yourself.

THEY manipulate comparisons, using either values of your STAGE WORLD reality (like sex, aspects of beauty and its production, money and richness, fame, idolatry, power in society, professional success, knowledge, intellect) or values of their DREAMWORLD-TO-SELL (which are NOT real - YOU KNOW - and which are quite different from their real BACKSTAGE world).

Remember : THEY are pretending. Most of them don't even believe in the very STAGE-WORLD aspects of reality THEY pretend to believe.

THEIR characters define these values and describe the so-called "reality" around you on THEIR manner. THEIR way. THEIR rules. THEIR control.

THEY distort the basic rules of statistics to change the proportion of the elements around you. This you may call the "Uglyfication Process", the "Poorization Process", the "Goofyzation Process", and so on. In one name, the "Your-Less-Importantization Process". Or the "Looking-glass-More-Importantization Process".

But the question is : do you REALLY have the values THEY try to inculcate in your mind, or credit to you ? Or your values are more behind-the-scenes, BACKSTAGE, beyond-comparisons values ? Ask yourself.

And if you behave like if you believed in any of these STAGE WORLD values, then you do it for giving, or for receiving ? Ask yourself.

Do you think your spirit or your love can be measured ? Ask yourself.

And especially if you're a PAN, do you think the FOREIGNERS have "looking-glasses" to reflect their 'egos' ? If they don't have it, why should you have it ? Think about it.


* LOOKING THROUGH THE LOOKING-GLASS - PRACTICAL EXAMPLES

So now let's take a look at some practical examples of speculations THEY may do concerning this subject and how you may deal with it and deconstruct THEIR speculation.


* Example #1 - COMPARING MEASURABLE QUANTITIES - YOU IN THE BOTTOM WITH THE HORSE MOVEMENT

The example given below is about comparing weights in a gym : the other person with a heavier weight than yours, and using the so-called horse movement, in order to take energy from you.

Nevertheless, if you do NOT work out, read carefully the example anyway, because it can be applied to many comparisons involving MEASURABLE QUANTITIES in the STAGE WORLD, from SELLING PRODUCTS and services to the worldly GOODS AND VEHICLES THAT YOU AND ANOTHER PERSON POSSESS, to a number of activities like FISHING or SWIMMING, for instance. The logic is the same. See the formula at the end of the example. Just customize the case for your needs.

The example is for male survivors. So if you are a woman and work out, replace 'muscles' by 'butt' or 'breast', 'guy' by 'girl', and 'horse' by 'mare'.

Comparing Weights in a Gym - Heavier Weight with the Horse Movement

Let's say you're a man and are at your fitness center (a large one, with plenty of equipment) dressed in a T-shirt doing your exercises. You realize that there is a guy with stronger muscles than yours and a sleeveless shirt that is CLONING your movements.

You go to a corner of the gym, he comes to an equipment to the side of yours. You change equipments going to the other side of the room, so he comes to an equipment in front of yours. Then you go to a third one, which coincidentally he asks you to alternate with, lifting a weight much heavier than yours. And so on.

You believe shells are just like modeling clays. You give shells no value (besides its kundalinic potential to give) and nevertheless you are working out, with the solely intention of being some day a "dentist", i.e. someone whom "vampires" from the other sex (or even from the same sex, in the case of homo-rooted vampirism) would like to stare to lessen their vampirism.

You want to give, not to receive. You never shows off, even when you have something valued by THEIR characters in the STAGE WORLD.

But HIS character do value shells, HIS character do show off his muscles full of vanity and ostentation. And to exaggerate things even more, he clones your movements and, like a 'horse', he shows off FOR YOU.

And you have a face considered to be cutter than his. But you lose energy, anyway. This you may call the "Uglyfing Process", or the "Looking-glass-Attractivizing Process".

The problem is that he is DEFINING YOUR REALITY FOR YOU. He is telling your brain in what it should believe.

He is saying subliminally to your brain : "I'm better than you. I can show off, I can be selfish, I can ostentate, I can be proud of my vanity, 'cause I'm a character, I'm just pretending. And you're NOT. You can't be a character, you can't pretend without losing energy. But I can. Ha ha ha".

And to complicate things a little more, YOU KNOW he is able to read your mind, whereas you can't read his. He has his crystal activated, you have not yours. He has the support of every other character in the area, and you are alone, although you have the voice(s) within your heart with you (never forget this voice).

So now it's YOUR TIME to define your reality for your brain. Remember : REALITY IS JUST A DESCRIPTION. THEY know this very well : THEY label, categorize, classify, reduce and compartmentalize you all the time. So now YOU do the same : through visualization, YOU label, categorize, classify, reduce and compartmentalize THEIR speculation over your brain.

In order to avoid losing energy, you must pay attention to every movement of this guy. You must keep focused all the time, and beware of intended second-meanings keywords blown in your ears by other characters (you must deconstruct them all, piece by piece).

As soon as you notice his intentions, you must mentalize : "FALSE LOOKING-GLASS" and "OSTENTATION IN THE STAGE WORLD". To reinforce, you may add : "SHELLS VALUING", "MODELING CLAYS" and "I WORK OUT FOR GIVING, NOT FOR RECEIVING" (or just the abbreviated form "GIVING VERSUS RECEIVING").

While he is cloning your movements, you add : "HORSE IN THE STAGE WORLD" or "HORSE MOVEMENT", or yet "HORSE CHARACTER". To reinforce, you may add : "THE MATRIX ISN'T REAL" and/or "IMAGES CIRCUS".

And if his character presents another element of speculation, you must add this element to your visualization. For instance, if the guy is somehow produced, you must add : "PRODUCTION IN THE STAGE WORLD" (you'll find detailed information on production in the section "THE CHEATING COMPARISONS TECHNIQUE" ahead).

Well, this may be enough.

Remember : this is something new to your brain. It may need some time to assimilate everything.

What you must always keep in mind is that THIS REALITY WHERE YOU LIVE IS A CIRCUS, THEY ARE ALL PRETENDING, MOST OF THEM DO NOT BELIEVE IN THEIR CHARACTERS, WHAT YOU SEE HAS BEEN PUT THERE FOR YOU TO SEE. THIS IS QUANTUM PHYSICS, YOU ONLY SEE WHAT THEY WANT YOU TO SEE.

In other words, "THE MATRIX ISN'T REAL". IT IS ARTIFICIAL. IT DOESN'T REPRESENT A STATISTICAL SAMPLE OF YOUR SOCIETY, BECAUSE IT IS DISTORTED TO TAKE ENERGY FROM YOU. IT DOESN'T REPRESENT THE AVERAGE OF ELEMENTS FOUND IN THE STAGE WORLD.

If you, in spite of all visualizations, anyway have lost energy because of the HORSE MOVEMENT, then I suggest you walk away from this guy. His behavior is artificial, he is doing something BECAUSE OF you. So now you do something BECAUSE OF him. Change your exercise for another similar or change the sequence of the exercises, but don't look at him. That's what THEY want you to do. He is just pretending. Mentalize : "ANTI-HORSE SECURITY MEASURE".

Another important topic : in the beginning, when your brain is not yet used to the exercise, THEY may FORCE you to have the sensation of thinking what THEY want you to think. Well, you must know these thoughts are NOT yours. Remember : there is no ego, the so-called 'ego' is just an illusion present in THEIR mouth. These thoughts are not your thoughts, these are literally invader thoughts. So you may add : "REFLECTED THOUGHT".

A "reflected thought" may happen to you every time an idea or premise so many times repeated by the STAGE society where you live hits subliminally your brain, no matter if you're put on the 'top' or to the 'bottom' of THEIR scale of values. (you'll find more on "reflected thoughts" in the section "REFLECTED THOUGHTS, LOOKING-GLASS AND SUBLIMINAL PREJUDICE").

And if, and ONLY IF, you are NOT working out with the solely intention of giving, because you DO VALUE shells in the STAGE, and you believe you have a so-called "self-esteem" to be fulfilled, or a so-called "ego" to be pleased, then I suggest you walk away from this guy anyway, and add to your mentalization : "THERE IS ALWAYS SOMEONE MORE THAN HIM".

Customized Formula to comparisons involving measurable quantities in general (You in the Bottom) in the Stage World (the alleged Looking-Glass with a higher quantity - with or without the Horse Movement) :

Mentalize :

a) YOUR TRANSCENDING VALUES x THEIR VALUES;
(examples of archetypes varying according to the case : "SHELLS VALUING", "MATERIALISM IN THE STAGE WORLD", "SELLS VALUING", "COMPETITION IN THE STAGE WORLD", etc.)

b) archetype : "FALSE LOOKING-GLASS" (or "FALSE MIRROR");

c) THEY CAN PRETEND, BUT YOU CAN'T;
examples of archetypes : "PRETENDED EGOTISM IN THE STAGE WORLD" or "FALSE SELFISH IN THE MATRIX";

d) THEIR OSTENTATION OF THE HIGHER QUANTITY;
(archetype : "OSTENTATION IN THE STAGE WORLD")

e) archetype : "GIVING VERSUS RECEIVING" [or the extended version : "I DO THIS (name of activity) FOR GIVING, NOT FOR RECEIVING"];

f) REINFORCEMENT - possible archetypes : "THE MATRIX ISN'T REAL", "IMAGES CIRCUS", "STATISTICAL DISTORTION", etc.;

g) possible archetype : "REFLECTED THOUGHT" (if you start thinking involuntarily about what THEY want you to think);

h) possible archetype : "CHEATED COMPARISON" (is he/she exaggerating his/her position ? Dissect everything and if it's the case add specific archetypes like "PRODUCTION IN THE STAGE-WORLD");

i) possible archetype : "QUESTION REALITY" (did he/she really has a higher quantity ? what is the source of the information ? Can it be fake ?);

j) possible archetype : "THEY ACT TOGETHER" (example : is it his/her character who sells more, or are their characters whom buy more from him/her ?);

k) possible archetype : "DESCRIPTION OF REALITY" (when THEY use phrases or keywords to value the position or the supposed importance of the higher quantity of the alleged looking-glass);

l) possible archetype : "HORSE MOVEMENT" or "HORSE IN THE STAGE WORLD", added (or not) by "ANTI-HORSE SECURITY MEASUREMENT";

m) possible archetype : "YOUR OPTION" (indicating that you don't have what he/she has because you don't want to buy it, and not because you can't).

* Example #2 - COMPARING MEASURABLE QUANTITIES - YOU ON TOP WITH KEYWORDS

Once more the example given below refers to comparisons in a gym, but now you have the heavier weight and the other person the lighter one. Never mind : undervaluing your reality and using THEIR sick second-meaning keywords, the person will take energy from you, anyway. See how you can avoid it from happening.

And if you do NOT work out, again I must say : the example can be applied to a large number of situations involving the comparison of measurable quantities with you on the top position. I suggest you read everything carefully and dissect the procedures piece by piece, adapting details for your case whenever necessary. There is a formula in the end that may help you in this process.

Comparing weights in a Gym - Lighter Weight with Second-meaning Keywords

So you're a man and are again working out in your gym. You're following your routine and now it's time for the "chest press" equipment. There is only one of this type in the gym and so you're gonna alternate your series with a guy.

His weight is lighter than yours, but you don't care about this. You believe shells are just modeling clays, and you know the other guy doesn't care about YOUR weight, either. He is just a character, speaks THEIR language and by now must have some years of crystal activated.

You also believe there is no meaning in the weight of the exercise, and even no necessary relation between the weights lifted and the muscles of the person (you have already seen two different guys with very strong muscles not managing to lift your weight, and also one middle-aged fat man lifting an absurd weight stronger than yours).

You don't value human shells, and you just wanna give, not receive. But THEY don't mind about YOUR positions. THEY try to brainwash you with theirs, anyway.

So the guy (who is a complete stranger for you and is lifting a much lighter weight) criticizes your movement, saying it is wrong because you're pulling your head slightly onward in the last two of ten repetitions.

And the next time you do the movement, one minute later, he attacks again : "I know it's not of my business, but according to the diagram shown on this plate you should hold it horizontally, not vertically".

There is a physical looking-glass in front of the equipment, and so he continues : "Only when you look at the looking-glass you can see it.".

And then you lose energy, in spite of the fact that you know you're holding the equipment in the position that has been passed to you by the gym trainer.

The problem is that again THEY ARE DEFINING YOUR REALITY FOR YOU. He is saying subliminally to your brain : "You're cheating the movement, I'm not, so I'm better than you. You don't follow the instructions so you are wrong. Your mental exercise visualizing archetypes is wrong, because you have an ego, and so you must look at the looking-glass to see your problems" .

He firstly hits your brain with a second-meaning sentence (saying your exercise is wrong), reinforces it saying you are not following the plate, and secondly he hits your brain again with a FORCED phrase about the looking-glass which was completely out of context (because the physical looking-glass in front of you has nothing to do with the plate fixed on the equipment or with the right position - vertical or horizontal - you must hold it; in other words, you don't need a mirror to see the position of your hands, you need only your eyes and your hands).

So now it's time for you to define reality. As soon as you realize his intentions (you only do it after his last sentence, because at first you think he is only trying to help you with the exercise), you must mentalize : "THERE IS NO LOOKING-GLASS", "FALSE LOOKING-GLASS" (or the shorter version "FALSE MIRROR"), "THE LOOKING- GLASS EXISTS ONLY IN THE STAGE WORLD", "HE TALKS ABOUT PHYSICAL EXERCISES" , "THERE IS EXERCISE ONLY IN THE STAGE WORLD", "I WORK OUT FOR GIVING, N OT FOR RECEIVING" (or just "GIVING VERSUS RECEIVING").

You may reinforce it with archetypes like "FORCED PHRASE IN THE STAGE WORLD", "THERE IS NO EGO TO BE REFLECTED IN THE MIRROR", and "THE EGO IS IN THEIR MOUTH".

And because he is questioning the validity of your beliefs and the validity of your mental exercises, you MUST add rapidly : "DOUBT FISHING" (you'll see more on the Fishing Techniques later on in this text).

And DON'T THINK about the validity of your beliefs or mental exercises, because that's exactly what THEY want you to do. To reinforce you may add : "NO TIME FOR DOUBT" and "DON'T THINK".

If you can't stand not thinking, just keep alternating all these archetypes over and over, e.g. : "FALSE LOOKING-GLASS", "DOUBT FISHING", "NO TIME FOR DOUBT", "DON'T THINK", "FORCED PHRASE IN THE STAGE WORLD", etc.

This probably will be enough. But if it's necessary you may do more. YOU MAY REDUCE, LABEL AND CATEGORIZE THE GUY FOR YOUR MIND.

If you're a PAN and this guy is NOT a FOREIGNER nor other PAN, then you may label, classify and reduce him for your brain, adding to your visualization : "EGOIC CHARACTER IN THE STAGE WORLD". This archetype tells your brain to distance yourself from their worldly logic. To reinforce, you may add : "WORLDLY LOGIC".

And if you catch yourself with any reflected thought considering your position as a PAN or your beliefs as being somehow "SUPERIOR" than his, then you must add to your mentalization "REFLECTED THOUGHT" and may also add the generic uses archetype : "SAME IMPORTANCE".

As you will see later on, a reflected thought may happen every time your brain doesn't separate the dichotomies incrusted in the STAGE WORLD point-of-view in the speed necessary to face THEIR brainwashing.

On the other side, if you're a PAN and you know this guy is a FOREIGNER, so you know for sure he doesn't believe in what he has subliminally suggested. You may add : "CHARACTER GUIDELINE IN THE STAGE WORLD".

And to reinforce even more everything, you can recall the image of your beloved one looking at you with penetrating eyes and an open aura (it may be difficult for you to recall this image, but you must do a mental effort; it is likely that your memory has this image). This image may tell your brain and your heart that THEIR logic is false and distorted, that THEIR logic is not FOR YOU.

Customized Formula to comparisons involving measurable quantities in general (You on Top) in the Stage World (The other person with a lower quantity - with or without Second-meaning Keywords)

Wait. This part is pending.


* EXAMPLE #3 - COMPARING KNOWLEDGE

In the example below, you'll see a comparison involving the knowledge of a foreign language in the STAGE WORLD. The foreign languages for you will vary depending on from which country you are, but the idea is the same. Just adapt the case for your needs.

And more important : the example given can be extended to a large number of comparisons involving knowledge or skills in the STAGE WORLD, either intellectually or manually, from computer expertise to jiu-jitsu skills, from Law affairs knowledge to the ability to court the opposite sex, from surgery techniques to a facility for singing, among a comprehensive list of other possibilities. The logic is the same. Just customize, and don't forget to read the formula at the end of the example.

Comparing Knowledge - Speaking a Foreign Language in the Stage World

Let's say now you're a Dutch girl and live in Holland. You have an average knowledge of the English language, and you want to build a homepage in the Internet about a topic.

Maybe the very topic of this page (nature of reality) or another one, never mind. You want to make it in English so as to reach a larger number of people. So you start collecting your ideas, categorizing them and translating them into English, with the help of a couple of dictionaries.

You want to make this homepage for giving, not for receiving. In other words, your page will somehow help somebody, and you will not receive a cent or have a 'profit' for this.

You spend hours on this task. Later that day, you go to your university, for instance, and there at the campus you hear two people talking in perfect English, with a clear American accent. They speak too fast for you and you can hardly understand a word of their conversation, full of slangs and expressions.

You are wondering that probably they are Americans, when suddenly they meet a third person, who talks to one of them in perfect Dutch. The guy replies in perfect Dutch, too, with no foreign accent.

Then you loose energy.

Manipulating THEIR characters, THEY have artificially created and explored a similarity between THEM and your "life", in order to manipulate your brain and take energy from you. THEY ALWAYS EXPLORE SIMILARITIES. WATCH OUT.

The similarity is that both you and one of that guys speak perfect Dutch. You don't even know if the guy is Dutch or American, as he speaks fluently both languages with no accent.

And the difference between you and him is that you have an average English knowledge, whereas the guy has a complete dominion of the English language. And to potentialize this difference, you are making a tremendous effort to translate your homepage into English. THEY KNOW.

The key point is that, in spite of the fact that you are doing this for giving and not for receiving, you lose energy anyway. Your brain doesn't separate things correctly, due to the existing dichotomies incrusted in the very "reality" where you live. So you are mentally shot by a similarity, and because of this you lose energy.

This process has absolutely nothing to do with "ego". There is no "ego". The so-called "ego" is just an illusion THEY try to inculcate in your brain over and over through their sickly "ego"-based brainwashing.

THERE IS NO "EGO", AND THEREFORE THERE IS NO LOOKING-GLASS TO REFLECT IT.

Remember again : THEY ARE ALL PRETENDING. THEY ARE CHARACTERS. All of them have access to their satellite links in the BACKSTAGE reality, through which THEY can absorb all the knowledge THEY want, or all the knowledge their brains can support ! Realize that an illiterate character in the STAGE WORLD, for instance, may know much more than you think in the BACKSTAGE reality : astronomy or perhaps molecular biology !

Yet regarding the KNOWLEDGE issue, what you must know is that, if you are a SURVIVOR of the HURRICANE, then most likely your brain is being secretly CRAMMED night after night by all sorts of advanced information, in a process that reminds the way new information have been downloaded by Tank, the Operator, into the brains of Neo and Trinity in the movie "The Matrix".

These information, that THEY put in the so-called PIGEON-HOLES or SHELVES within your brain, are coded and include the perfect dominion of many languages belonging both to the STAGE and BACKSTAGE realities, among many other issues (for more information on these PIGEON-HOLES, see section 'YOUR PIGEON-HOLES AND SPECULATIVE COMPARISONS' ahead in this homepage).

So aiming at not losing energy, I suggest you stay alert to THEIR speculation and, as soon as you realize a similarity has penetrated your brain, you must mentalize the generic archetype : "KNOWLEDGE VERSUS PIGEON- HOLES". This reminds your brain of the pigeon-holes that are being put inside your head night after night.

In the given example, you may reinforce it adding a more specific archetype like : "FOREIGN LANGUAGE IN THE STAGE WORLD VERSUS PIGEON-HOLES" or "ENGLISH VERSUS PIGEON-HOLES".

To reinforce a little more, you may add : "THE HOMEPAGE IS FOR GIVING, NOT RECEIVING". And, if you're a PAN, you may still add : "I'M NOT DUTCH. I'M NOT AMERICAN. I'M PAN.".

And if the guy who has speculated over your brain is also a PAN, then there is an additional similarity to take energy from you, and so you can add : "TIME DOESN'T EXIST" and "PAN LONGEVITY".

Are you understanding the "modus operandi" of the mentalization ? ALWAYS EXPLORE DIFFERENCES.

Customized Formula to comparisons involving knowledge in general

Wait. Text pending here


* COMPARING THE SO-CALLED "BEAUTY" - YOU ALONE AND A KUNDALINIC SHELL ACCOMPANIED

Wait. This part is pending.


* COMPARING THE SO-CALLED "BEAUTY" - YOU VERSUS A PERSON OF THE SAME SEX

Wait. This part is pending.


* COMPARING ALLEGED POSITIONS IN THEIR DREAMWORLD-TO-SELL

Wait. This part is pending.


* REFLECTED THOUGHTS, "LOOKING-GLASS" AND SUBLIMINAL PREJUDICE

Wait. This part is pending.


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