INDEX- 9.VII -
After stopping the world speculation - The naturalness inducement
- 9.VIII -
The elements no longer represent something else
- 9.IX - The power of silence - Dosing your participation in the conversations with their characters
- 9.VII - After "stopping the world" speculation - The naturalness inducement :
- Added on November 01 st, 2000
Stopping the world is something that does not end
with the world. Their characters continue existing, as well as their
intention to speculate using keywords and mathematical similarities,
their mind reading capabilities, and so on. But the difference is that
now these things do not have an influence over your mind anymore :
you're the only master and owner of your own destiny, and thus you're not
worried about the alleged "opinions" of their characters on aspects of your
life. Mentalize : "OWNER OF DESTINY" and also - depending on the
speculation - "EXTERNAL GUIDANCE INDUCEMENT".
You do not recognize the authority of their characters to give
"opinions" about your life, because they themselves don't recognize to
be reading your mind or to be talking about aspects of your life.
In other words, if their characters have something to say to you, let them
use the first meaning of the words. And if the real persons in the
Backstage have something to say to you, let them activate your
crystal or allow you to have access to the Backstage reality.
Or both.
And I'm not talking about speculating about the activation
of the crystal or about your access to the Backstage. You have
no time for second meanings anymore. Their characters always lie.
The only reliable source of truth, that you can trust 100%, is your beloved
one : his or her voice inside your heart, his or her passionate open aura,
his or her passionate eyes. These eyes never lie.
They are like merchants selling deliriums by the side of the road.
They want to lure you out of your way. They want to control your mind and
rule your destiny. There is no Santa Claus waiting for you. So if your
beloved one says to you inside your heart that your crystal will be
activated right after the GLOBAL D-DAY, for instance, that's
because it's true. If he or she says that it may be activated
at any moment, that's because it's true.
Their characters, by their turn, only lie. So this time, after you have
deconstructed the influence of the second meaning of their keywords, in a
smart maneuver, they may use the first meaning of the words to speculate
over your mind. At this point, they may try to :
- a) anchor your perception in the Stage World;
- b) ask you for ideas to "improve" the tonal elements of the Stage World :
chatting on politics, for instance - what should be done to "improve" your
city or your neighborhood; chatting on the subject of your work - what
should be done to increase "productivity" in your workplace; and so on;
- c) convince your brain that after all you were responsible for their
brainwashing and for their speculation;
- d) pretend that they are not characters and/or that they really believe in
the values of the Stage World, denying the truth;
- e) deny the proximity of the "GLOBAL D-DAY";
- f) reaffirm their belief in the continuity of their characters; etc.
Here, they want you to miss their speculation (to miss = to be
sad about the absence of the speculation), they want you to
miss the second meaning of their keywords. Believe me : there is nothing
to miss in their deliriums. They want to push your mind to the other side of
the reality spectrum : the naturalness of the events around you. Mentalize :
"NATURALNESS INDUCEMENT", "ANTI-TRUMAN MOVEMENT" and "DENYING THE TRUTH".
Never forget : this Matrix reality isn't real, the world is a stage
(the Stage World), we're on the threshold of the "Global D-Day", everybody is
pretending around you like bees, everyone of them is capable of easily
reading your mind, and so on; but in spite of all that, you're the
only owner of your destiny and you owe their characters no explanations about
your life in the Stage World, or elsewhere.
If you feel it's necessary, reread sections "
Denying the truth", "
Dismantling keyword rain", and
"There is no external judgement".
- 9.VIII - The elements no longer represent something else :
(Added on November 13 th, 2000)
Together with the conclusion that everything is still counterfeit around
you, after stopping the world, you'll probably realize that the
elements that constitute the speculation no more represent something else
for your brain.
If you have been practicing continuously and well all your not-doing
(that is, not behaving as if your beloved one would approach you at all) and
all your not-looking exercises, their sentences and also the
archetypes present in all kinds of speculation will now be weakened, and
losing influence over your mind day after day. It's a gradual process.
Never mind. After a certain time, your brain will no longer attribute a
second meaning to their speculation.
(conversation between Morpheus and Neo, in "The Matrix")
"Their strength and their speed are still based in a world that is built on rules. Because of that, they'll never be as strong or as fast as you can be". (Morpheus)
"What are you trying to tell me - that I can dodge bullets ?"
"No, Neo. I'm trying to tell you that - when you're ready - you won't have to".
After stopping the world completely, you won't have to mentalize
your archetypes anymore, as the elements of their speculation won't
represent anything else any longer. But at the same time you know that
they are all characters, that they are all capable of reading your mind and
that their intention to speculate exists. So don't believe that they are
your friends, because they're not. They're your foes. And never put yourself
at the mercy of their characters. Just be happy with your beloved one.
In order to help your brain accelerating the process of stopping the
world, and "turn off" the top of your memory stacks, every time
you hear a keyword or see an element that has a second meaning for your brain,
you may mentalize the sentence : "(...the name of the element...) :
IT DOESN'T REPRESENT SOMETHING ELSE ANYMORE" or "THIS (ELEMENT) DOESN'T
REPRESENT SOMETHING ELSE".
If you want, you may visualize them using a different font type,
or in bold, or in lower case, for instance, just to separate them in your
brain from the "classical" method.
You may also realize that not-doing is something that is not
necessarily limited by "not behaving as if your beloved one would approach
you at all". There are other kinds of situation in your life in which you
can also apply not-doing. Not-doing means that you no longer
perform any action because of their characters. You no longer
become anxious to do anything. For instance, if you
forgot to pay a bill, they will probably speculate "remembering" you about
the bill. So you can purposely "forget" again, and pay the bill only after
the due time. Do not rationalize your actions : forget about
extra fees, fines or interest rates. As Trinity would say,
"The Matrix isn't real". But sometimes - randomly - you can do what
they "remind" you to do : being unpredictable is very important. In this
last case, mentalize : "I DO IT BECAUSE I WANT, NOT BECAUSE OF THEM".
And if - for some of the elements - you feel the necessity of a quick
reinforcement, then you can always add rapidly the classical archetypes to
your visualization.
It's like having two barriers. If their words break the first one
("IT DOESN'T REPRESENT SOMETHING ELSE"), then you make use of the second one
- the classical. For "classical archetypes" I mean all the sentences that
you have been mentalizing till this moment to counterbalance the influence of
their speculation.
E.g., "DOG OF THE MATRIX IS ONE WHO DIES", "DUMMY IS ONE WHO DIES",
"NO AURIC PAYMENT", "NO RECEIVING", "ANCHORING YOUR PERCEPTION",
"FALSE MIRROR", "BRAINWASHING INDUCEMENT", "ARTIFICIAL SYNCHRONICITY",
"PRESUMED EGO THEORY", "QUANTUM HORSE", "FOREGONE CONCLUSION INDUCEMENT",
"NATURALNESS INDUCEMENT", "GOING BACK HOME INDUCEMENT", "AGING YOUR REALITY",
"ZIG ZAG MOVEMENT", "LOOKING INDUCEMENT", "MATHEMATICAL SIMILARITY",
and so on.
Curiously, as long as you start "turning off" the top of your memory
stacks, you'll realize that their characters will increasingly (and
deliberately) use more and more words and sentences that don't have a second
meaning, sentences that if they were said before they wouldn't have had
a second meaning, either. The difference is that now the proportion of these
meaningless sentences will purposely increase.
Now let's take a look at a thorough list of concrete examples presenting
some of the main categories of speculation, as well as some specific and
very smart ones, and the way you can handle them in your mind so as to
accelerate the process of stopping the world.
- Group 1 - Simple archetypes
- Example #1 - You see a handicapped in your gym.
Mentalize : "handicapped - He (she) doesn't represent anything else", perhaps adding : "It's just and only him (her)".
With practice, you can have only one level of defense in your mind. But if your brain starts thinking about the second meaning of the word "handicapped", then - only then - you make use of the classical method : "HANDICAPPED IS ONE WHO DIES", "DUMMY IS ONE WHO DIES" and/or "CRYSTAL CRUTCH".
Try to avoid using the second level of resistance, but if your brain can't resist mentalizing the classical archetypes, then - only then - you mentalize them. Through this technique, you can at least reduce the scope of the mentalization of the second level archetypes to a few elements.
This technique of two levels can only be used if you're in the process of stopping the world, not-doing, and believing hard enough in the approach of your beloved one, and it's only a complement to this process. The goal here is to reduce gradually the energetic influence that their speculation has over your brain, without forgetting their condition as characters, potential speculators, mind readers, etc..
- Example #2 - You cross a pregnant woman in the street.
Mentalize : "pregnancy (or 'pregnant woman') - it doesn't represent something else. It's only her pregnancy (or a pregnant woman)".
- Example #3 - You're walking in a mall when you witness a
group of people singing "Happy birthday to you" to one of them.
Mentalize : "birthday - it doesn't represent something else. It's just and only the birthday of that person".
In the second level of resistance, the classical method : "NO CRYSTAL" (if your beloved one assures you that your crystal won't be activated before the "Global D-Day", for instance).
- Example #4 - Someone says to someone else :
"Did you see my keys ?"
First level : "keys - it doesn't represent something else".
Second level : "GENERIC FISHING" or "DOUBT FISHING". - Example #5 - (if you're a PAN) - You dream
about your official father in the Stage World.
First level : "father - he doesn't represent anything else".
Second level : it varies according to the idea(s) associated to his figure. (If you're a woman, it may also be "YOUR BELOVED HUSBAND IS NOT YOUR FATHER"). - Example #6 - Someone in the bus says :
"I'm gonna put the beer in the fridge".
First level : "beer - it doesn't represent anything else. It's only beer". If you want, you can visualize physically the element that doesn't represent anything else : in this case, some bottles (or cans) of beer in a fridge.
Second level : "BRAIWASHING IS NOT ALCOHOL". - Example #7 - (if you're a man) - Someone in the
university says : "My car is leaking".
First level : "leak - it doesn't represent something else. It's only a leak".
Second level : "EJACULATION INDUCEMENT". - Example #8 - You hear someone in your workplace saying
on the phone : "I've never seen somebody smoking so much".
First level : "smoking (or 'smoking very much') - it doesn't represent something else. It's only smoking.".
Second level : "MASTURBATION INDUCEMENT" or "MEGACUTE SHELL APPEARANCE INDUCEMENT". - Example #9 - You hear the neigh of a horse.
First level : "horse - it doesn't represent something else. It's only a horse (or 'It's only a neigh')".
Second level : "HORSE MOVEMENT INDUCEMENT", "ASSOCIATION OF IDEAS FISHING" or "TOP OF MEMORY STACK MANIPULATION". - Example #10 - Your sister in the Stage World
(if you're a man) or your brother in the Stage World
(if you're a woman) "casually" crosses you in the street.
(suppose he/she doesn't live with you)
First level : "sister (or brother) - She (He) doesn't represent something else. It's only her (him) : Mary Doe (John Doe)".
Second level : it varies according to the other elements. - Example #11 - You hear two people talking :
"So what's your name ?"; "Pristine".
First level : "pristine - she doesn't represent anything else. It's only her name : Pristine".
Second level : "TRIAL BALLOON TECHNIQUE", "ORIGINAL SHAPE OF YOUR BELOVED ONE"; or (if you're a woman) "ASSOCIATED PRAISE" and "THE PRAISES ARE FALSE". - Example #12 - In the grocery, you cross a known reporter of
the television.
First level : "reporter - he/she doesn't represent anything else. It's only himself/herself".
Second level : "TRIAL BALLOON", "ANTI-ANONIMITY INDUCEMENT", and perhaps "IDOLATRY IN THE STAGE WORLD", "FALSE MIRROR" and "SAME IMPORTANCE". - Example #13 - You hear someone shouting around you :
"My e-mail address is ... johndoe@aol.com".
First level : "e-mail address - it doesn't represent anything else. It's only an e-mail address".
Second level : "NO CRYSTAL", "NO GIFT". - Example #14 : You leave in a small building. You cross new
neighbors in the elevator.
First level : "new neighbors - they don't represent anything else. They're only new neighbors".
Second level : it varies according to the other elements. It could be "EXPECTATIONS FISHING", "WIFE/HUSBAND APPROACH EXPECTATIONS FISHING", or "MEGACUTE SHELL INDUCEMENT", for instance. - Example #15 : You dream about a cartoon tiger who is
afraid of bananas.
First level : tiger - banana(s) - "It doesn't represent anything else".
Second level : "SIMULATING THE OTHER SIDE", "DENYING THE TRUTH"; or (if you're a woman or a homo-rooted vampire) "SEX INDUCEMENT" or "MASTURBATION INDUCEMENT"; (if you're a man) "PRO-KUNDALINI MOVEMENT" or "ERECTION INDUCEMENT". - Example #16 : "His (her) method is different."
First level : "his (her) method - it doesn't represent something else".
Second level : "METHOD CLONING".
- Example #17 : "So how is the baby ?
Is she better now ?"; "Oh, yeah. Just a high pressure
problem."
First level : "baby - high pressure" - it doesn't represent anything else">
Second level : "NERVOUSNESS INDUCEMENT".
- Group 2 - Figurative sense
In this cases, they're not using the literal sense of the words, but a figurate sense, yet in their first meaning.
- Example #17 : (if you're a man, after you have had an
accidental ejaculation - not at home) - Someone on the phone around you :
"It's no use 'crying over spilt milk'".
First level : "spilt milk - figurative sense" - "It doesn't represent anything else".
Second level : "ARTIFICIAL SYNCHRONICITY", "ASSOCIATION OF IDEAS", "DICHOTOMY INDUCEMENT", "NO GAME", "NO VICTORY, NO DEFEAT, JUST AN ACCIDENT".
- Example #18 - You hear in the street :
"You gotta pay attention to the 'vultures'".
First level : "vultures - figurative sense" - "They don't represent anything else".
Second level : "SIMULATING THE OTHER SIDE", "OPPOSITION INDUCEMENT", "AFTER DEATH DELIRIUM", "NO AURIC PAYMENT".
- Group 3 - Manipulating the timeline
- Group 4 - Manipulating kundalini and your vampirism
- Group 5 - Manipulating horse movements
(Note : groups 3, 4 and 5 are pending. Wait.)
- 9.IX - The power of silence : dosing your participation in the conversations with their characters :
(Added on November 13 th, 2000) -
(Updates marked with "[NEW]"
- December 03, 2000)
After you acquire the sensation of having stopped the world, THEY
may try to make your brain feel comfortable and thus induce you to start
talking spontaneously about a variety of subjects using only the
first meaning of the words.
Watch out. Don't be naive. These characters are not really your friends :
they still want to deceive your brain.
They may, for instance, begin talking about subjects that do not present
a mathematical similarity with your life, just to attract your interest, and
then, in a second moment, they can artificially introduce these mathematical
similarities in the middle of the conversation.
They may also try to anchor your
perception in the Stage World, giving importance to topics like politics,
economics and social matters. They may try to dichotomize reality and
fish your opinions about these
subjects. Or launch topics of the tonal reality as
trial balloons for your mind. Or yet
use the
self-positioning method to have you personally involved in the issues
they talk about.
"The Matrix cannot tell you who you are."
(Trinity to Neo, in "The Matrix")
They could talk, for example, about the axis "honestity versus corruption"
in the Stage World, commenting on a scandal involving some of their
characters in the news, and trying to dichotomize reality between "right"
and "wrong", inducing you to judge the characters involved in the scandal
or perhaps trying to put you in a position surrounded by corruption.
So, according to the case, you may mentalize : the very names of the
characters
involved in the scandal + their positions in the Stage World (President,
Prime-Minister, King; Senator, Lord [U.K.]; Representative, Deputy;
Governor; Mayor; Minister, Secretary; Judge; Police Chief; etc.) +
"HE/SHE DOESN'T REPRESENT SOMETHING ELSE".
And if necessary, you can add the "classical archetypes" to your
visualization. In this case :
"DICHOTOMY INDUCEMENT", "CORRUPTION IN THE STAGE WORLD", "SELF-POSITIONING",
"TRIAL BALLOON", etc..
On another level of perception, however, you'll probably realize that
dosing meticulously your sentences during a conversation is in
most cases the more strategic action to take. As long as you
enthuse yourself over an issue of the Matrix reality and participate
animatedly in the conversation, you not only anchor your perception :
you also feed the conversation a little more and allow them to use the
techniques showed above.
Notice that not talking too much is also not-doing. This
is a very sophisticated technique that you can perfect gradually. You can
start by
erasing your personal history and
creating a fog around you. Then
you can
fish your speculators' personal history,
and finally you only talk what is
necessary to their characters : either because someone asked you
something, or because the physical situation requires a neutral sentence
(like "Can you pass me the salt please ?" or "Where are the papers ?")
.
I'm not saying you cannot have "friends" in the Stage World, just saying
that these apparent "friends" are in reality characters capable of
manipulating your mind, and that therefore you must be aware of
their speculation and stay alert.
They may try to induce you to participate by saying : "You're so quiet
today. What happened ?". Then you can say : "That's just your
impression" or - if the person is a more close friend - "I'm learning
to listen instead of talking".
And if you can't stay totally silent, you can make use of alternative
measures, in a calculated way, dosing carefully the proportion of your
participation. Alternative measures like using the self-positioning method
over their very characters, for instance, or using what you may call
"the opposite reasoning technique" when they emit a clearly dichotomized
opinion about a subject : you pinpoint the other side of the question,
without identifying yourself with the merits of the question. For
example, if they attack corruption in the Stage World, then you can say that
there are certain situations in which you must take part in the scheme or
else you'll be expelled from your position (by the way, in this case
what you do with your money is none of their business).
[NEW] -
Finally, another important measure is not revealing everything
you know about the subject of the conversation, even when it has nothing
to do with your life (in the first or in the second meaning of the
words), or even when this conversation cannot be used by THEIR characters
to fish your personal history. Being humble is the key here.
Remember : THEIR characters know much more than they say about the topics
they talk on, and they're really not interested in your "knowledge" about
a subject, unless you're recognizedly an "expert" about that specific
subject within the tonal reality, when compared to their very
characters (in this last case, beware of personal history fishing...)